Combining Texts

All the ideas for 'Presentism', 'Possible Worlds and Necessary A Posteriori' and 'Art and Its Objects'

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27 ideas

3. Truth / B. Truthmakers / 5. What Makes Truths / d. Being makes truths
The weaker version of Truthmaker: 'truth supervenes on being' [Crisp,TM]
3. Truth / B. Truthmakers / 9. Making Past Truths
The Truthmaker thesis spells trouble for presentists [Crisp,TM]
3. Truth / B. Truthmakers / 12. Rejecting Truthmakers
Truthmaker has problems with generalisation, non-existence claims, and property instantiations [Crisp,TM]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
9. Objects / D. Essence of Objects / 9. Essence and Properties
How do we tell a table's being contingently plastic from its being essentially plastic? [Jackson]
An x is essentially F if it is F in every possible world in which it appears [Jackson]
9. Objects / D. Essence of Objects / 15. Against Essentialism
Quine may have conflated de re and de dicto essentialism, but there is a real epistemological problem [Jackson]
9. Objects / E. Objects over Time / 4. Four-Dimensionalism
Worm Perdurantism has a fusion of all the parts; Stage Perdurantism has one part at a time [Crisp,TM]
10. Modality / D. Knowledge of Modality / 3. A Posteriori Necessary
How can you show the necessity of an a posteriori necessity, if it might turn out to be false? [Jackson]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Interpretation is performance for some arts, and critical for all arts [Wollheim]
A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]
27. Natural Reality / D. Time / 1. Nature of Time / f. Eternalism
'Eternalism' is the thesis that reality includes past, present and future entities [Crisp,TM]
27. Natural Reality / D. Time / 1. Nature of Time / h. Presentism
Presentists can talk of 'times', with no more commitment than modalists have to possible worlds [Crisp,TM]
27. Natural Reality / D. Time / 2. Passage of Time / d. Time series
The only three theories are Presentism, Dynamic (A-series) Eternalism and Static (B-series) Eternalism [Crisp,TM]