27 ideas
23634 | Accepting the existence of anything presupposes the notion of existence [Reid] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
23635 | Truths are self-evident to sensible persons who understand them clearly without prejudice [Reid] |
7631 | Sensation is not committed to any external object, but perception is [Reid] |
23637 | Primary qualities are the object of mathematics [Reid] |
23638 | Secondary qualities conjure up, and are confused with, the sensations which produce them [Reid] |
23639 | It is unclear whether a toothache is in the mind or in the tooth, but the word has a single meaning [Reid] |
6492 | Reid is seen as the main direct realist of the eighteenth century [Reid, by Robinson,H] |
23641 | People dislike believing without evidence, and try to avoid it [Reid] |
23642 | If non-rational evidence reaches us, it is reason which then makes use of it [Reid] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
23224 | That all matter thinks is absurd, and would make each part of our bodies a distinct self-consciousness [Bentley] |
23640 | Only mature minds can distinguish the qualities of a body [Reid] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |