Combining Texts

All the ideas for 'Essays on Intellectual Powers: Conception', 'Formal and Material Consequence' and 'Critique of Judgement I: Aesthetic'

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26 ideas

5. Theory of Logic / A. Overview of Logic / 4. Pure Logic
If logic is topic-neutral that means it delves into all subjects, rather than having a pure subject matter [Read]
5. Theory of Logic / B. Logical Consequence / 1. Logical Consequence
Not all arguments are valid because of form; validity is just true premises and false conclusion being impossible [Read]
If the logic of 'taller of' rests just on meaning, then logic may be the study of merely formal consequence [Read]
Maybe arguments are only valid when suppressed premises are all stated - but why? [Read]
5. Theory of Logic / B. Logical Consequence / 5. Modus Ponens
In modus ponens the 'if-then' premise contributes nothing if the conclusion follows anyway [Read]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
Logical connectives contain no information, but just record combination relations between facts [Read]
9. Objects / D. Essence of Objects / 4. Essence as Definition
Objects have an essential constitution, producing its qualities, which we are too ignorant to define [Reid]
10. Modality / B. Possibility / 8. Conditionals / d. Non-truthfunction conditionals
Conditionals are just a shorthand for some proof, leaving out the details [Read]
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / b. Conceivable but impossible
Impossibilites are easily conceived in mathematics and geometry [Reid, by Molnar]
19. Language / B. Reference / 1. Reference theories
Reference is by name, or a term-plus-circumstance, or ostensively, or by description [Reid]
19. Language / B. Reference / 3. Direct Reference / c. Social reference
A word's meaning is the thing conceived, as fixed by linguistic experts [Reid]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant]
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]