32 ideas
| 9593 | Progress in philosophy is incremental, not an immature seeking after drama [Williamson] |
| 6602 | Philosophy is like a statue which is worshipped but never advances [Bacon] |
| 9594 | Correspondence to the facts is a bad account of analytic truth [Williamson] |
| 9601 | The realist/anti-realist debate is notoriously obscure and fruitless [Williamson] |
| 9599 | There cannot be vague objects, so there may be no such thing as a mountain [Williamson] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 9602 | Common sense and classical logic are often simultaneously abandoned in debates on vagueness [Williamson] |
| 9598 | Modal thinking isn't a special intuition; it is part of ordinary counterfactual thinking [Williamson] |
| 16536 | Williamson can't base metaphysical necessity on the psychology of causal counterfactuals [Lowe on Williamson] |
| 9596 | We scorn imagination as a test of possibility, forgetting its role in counterfactuals [Williamson] |
| 9597 | There are 'armchair' truths which are not a priori, because experience was involved [Williamson] |
| 16724 | The senses deceive, but also show their own errors [Bacon] |
| 9592 | Intuition is neither powerful nor vacuous, but reveals linguistic or conceptual competence [Williamson] |
| 20181 | When analytic philosophers run out of arguments, they present intuitions as their evidence [Williamson] |
| 6603 | Nature is revealed when we put it under pressure rather than observe it [Bacon] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 9595 | You might know that the word 'gob' meant 'mouth', but not be competent to use it [Williamson] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 9600 | If languages are intertranslatable, and cognition is innate, then cultures are all similar [Williamson] |