36 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 21704 | 'Impredictative' definitions fix a class in terms of the greater class to which it belongs [Linsky,B] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 21705 | Reducibility says any impredicative function has an appropriate predicative replacement [Linsky,B] |
| 21727 | Definite descriptions theory eliminates the King of France, but not the Queen of England [Linsky,B] |
| 21719 | Extensionalism means what is true of a function is true of coextensive functions [Linsky,B] |
| 21723 | The task of logicism was to define by logic the concepts 'number', 'successor' and '0' [Linsky,B] |
| 21721 | Higher types are needed to distinguished intensional phenomena which are coextensive [Linsky,B] |
| 21703 | Types are 'ramified' when there are further differences between the type of quantifier and its range [Linsky,B] |
| 21714 | The ramified theory subdivides each type, according to the range of the variables [Linsky,B] |
| 21713 | Did logicism fail, when Russell added three nonlogical axioms, to save mathematics? [Linsky,B] |
| 21715 | For those who abandon logicism, standard set theory is a rival option [Linsky,B] |
| 21729 | Construct properties as sets of objects, or say an object must be in the set to have the property [Linsky,B] |
| 19216 | Propositions (such as 'that dog is barking') only exist if their items exist [Williamson] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |