54 ideas
9593 | Progress in philosophy is incremental, not an immature seeking after drama [Williamson] |
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
19215 | Arguers often turn the opponent's modus ponens into their own modus tollens [Merricks] |
9594 | Correspondence to the facts is a bad account of analytic truth [Williamson] |
19205 | 'Snow is white' only contingently expresses the proposition that snow is white [Merricks] |
19209 | Simple Quantified Modal Logc doesn't work, because the Converse Barcan is a theorem [Merricks] |
19208 | The Converse Barcan implies 'everything exists necessarily' is a consequence of 'necessarily, everything exists' [Merricks] |
19207 | Sentence logic maps truth values; predicate logic maps objects and sets [Merricks] |
9601 | The realist/anti-realist debate is notoriously obscure and fruitless [Williamson] |
9599 | There cannot be vague objects, so there may be no such thing as a mountain [Williamson] |
9602 | Common sense and classical logic are often simultaneously abandoned in debates on vagueness [Williamson] |
19214 | In twinning, one person has the same origin as another person [Merricks] |
9598 | Modal thinking isn't a special intuition; it is part of ordinary counterfactual thinking [Williamson] |
16536 | Williamson can't base metaphysical necessity on the psychology of causal counterfactuals [Lowe on Williamson] |
9596 | We scorn imagination as a test of possibility, forgetting its role in counterfactuals [Williamson] |
9597 | There are 'armchair' truths which are not a priori, because experience was involved [Williamson] |
9592 | Intuition is neither powerful nor vacuous, but reveals linguistic or conceptual competence [Williamson] |
20181 | When analytic philosophers run out of arguments, they present intuitions as their evidence [Williamson] |
19217 | I don't accept that if a proposition is directly about an entity, it has a relation to the entity [Merricks] |
19203 | A sentence's truth conditions depend on context [Merricks] |
9595 | You might know that the word 'gob' meant 'mouth', but not be competent to use it [Williamson] |
19200 | Propositions are standardly treated as possible worlds, or as structured [Merricks] |
19206 | 'Cicero is an orator' represents the same situation as 'Tully is an orator', so they are one proposition [Merricks] |
19202 | Propositions are necessary existents which essentially (but inexplicably) represent things [Merricks] |
19204 | True propositions existed prior to their being thought, and might never be thought [Merricks] |
19210 | The standard view of propositions says they never change their truth-value [Merricks] |
19201 | Propositions can be 'about' an entity, but that doesn't make the entity a constituent of it [Merricks] |
19211 | Early Russell says a proposition is identical with its truthmaking state of affairs [Merricks] |
19212 | Unity of the proposition questions: what unites them? can the same constituents make different ones? [Merricks] |
19213 | We want to explain not just what unites the constituents, but what unites them into a proposition [Merricks] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
9600 | If languages are intertranslatable, and cognition is innate, then cultures are all similar [Williamson] |