18 ideas
| 8964 | Entities can be multiplied either by excessive categories, or excessive entities within a category [Hoffman/Rosenkrantz] |
| 16901 | The equivalent algebra model of geometry loses some essential spatial meaning [Burge] |
| 16902 | Peano arithmetic requires grasping 0 as a primitive number [Burge] |
| 8962 | 'There are shapes which are never exemplified' is the toughest example for nominalists [Hoffman/Rosenkrantz] |
| 8961 | Nominalists are motivated by Ockham's Razor and a distrust of unobservables [Hoffman/Rosenkrantz] |
| 8963 | Four theories of possible worlds: conceptualist, combinatorial, abstract, or concrete [Hoffman/Rosenkrantz] |
| 16892 | Is apriority predicated mainly of truths and proofs, or of human cognition? [Burge] |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |