Combining Texts

All the ideas for 'Content Preservation', 'Semantic Necessity' and 'Critique of Judgement I: Aesthetic'

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22 ideas

5. Theory of Logic / E. Structures of Logic / 8. Theories in Logic
Theories in logic are sentences closed under consequence, but in truth discussions theories have axioms [Fine,K]
10. Modality / C. Sources of Modality / 1. Sources of Necessity
The role of semantic necessity in semantics is like metaphysical necessity in metaphysics [Fine,K, by Hale/Hoffmann,A]
13. Knowledge Criteria / C. External Justification / 1. External Justification
Subjects may be unaware of their epistemic 'entitlements', unlike their 'justifications' [Burge]
19. Language / C. Assigning Meanings / 2. Semantics
Semantics is either an assignment of semantic values, or a theory of truth [Fine,K]
Semantics is a body of semantic requirements, not semantic truths or assigned values [Fine,K]
19. Language / C. Assigning Meanings / 7. Extensional Semantics
Referential semantics (unlike Fregeanism) allows objects themselves in to semantic requirements [Fine,K]
19. Language / E. Analyticity / 4. Analytic/Synthetic Critique
The Quinean doubt: are semantics and facts separate, and do analytic sentences have no factual part? [Fine,K]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant]
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]