Combining Texts

All the ideas for 'Axiomatic Theories of Truth (2005 ver)', 'Essentials of Pragmatism' and 'An Essay in Aesthetics'

expand these ideas     |    start again     |     specify just one area for these texts


24 ideas

3. Truth / A. Truth Problems / 2. Defining Truth
Truth definitions don't produce a good theory, because they go beyond your current language [Halbach]
3. Truth / F. Semantic Truth / 1. Tarski's Truth / c. Meta-language for truth
In semantic theories of truth, the predicate is in an object-language, and the definition in a metalanguage [Halbach]
3. Truth / G. Axiomatic Truth / 1. Axiomatic Truth
Instead of a truth definition, add a primitive truth predicate, and axioms for how it works [Halbach]
Should axiomatic truth be 'conservative' - not proving anything apart from implications of the axioms? [Halbach]
If truth is defined it can be eliminated, whereas axiomatic truth has various commitments [Halbach]
Axiomatic theories of truth need a weak logical framework, and not a strong metatheory [Halbach]
3. Truth / H. Deflationary Truth / 2. Deflationary Truth
Deflationists say truth merely serves to express infinite conjunctions [Halbach]
4. Formal Logic / F. Set Theory ST / 1. Set Theory
To prove the consistency of set theory, we must go beyond set theory [Halbach]
5. Theory of Logic / C. Ontology of Logic / 1. Ontology of Logic
We can use truth instead of ontologically loaded second-order comprehension assumptions about properties [Halbach]
5. Theory of Logic / E. Structures of Logic / 7. Predicates in Logic
Instead of saying x has a property, we can say a formula is true of x - as long as we have 'true' [Halbach]
12. Knowledge Sources / D. Empiricism / 3. Pragmatism
Instead of seeking Truth, we should seek belief that is beyond doubt [Peirce]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
18. Thought / D. Concepts / 3. Ontology of Concepts / b. Concepts as abilities
A 'conception', the rational implication of a word, lies in its bearing upon the conduct of life [Peirce]
18. Thought / D. Concepts / 4. Structure of Concepts / b. Analysis of concepts
The definition of a concept is just its experimental implications [Peirce]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]