31 ideas
| 15647 | Truth definitions don't produce a good theory, because they go beyond your current language [Halbach] |
| 15649 | In semantic theories of truth, the predicate is in an object-language, and the definition in a metalanguage [Halbach] |
| 15655 | Should axiomatic truth be 'conservative' - not proving anything apart from implications of the axioms? [Halbach] |
| 15654 | If truth is defined it can be eliminated, whereas axiomatic truth has various commitments [Halbach] |
| 15650 | Axiomatic theories of truth need a weak logical framework, and not a strong metatheory [Halbach] |
| 15648 | Instead of a truth definition, add a primitive truth predicate, and axioms for how it works [Halbach] |
| 15656 | Deflationists say truth merely serves to express infinite conjunctions [Halbach] |
| 15657 | To prove the consistency of set theory, we must go beyond set theory [Halbach] |
| 15652 | We can use truth instead of ontologically loaded second-order comprehension assumptions about properties [Halbach] |
| 15651 | Instead of saying x has a property, we can say a formula is true of x - as long as we have 'true' [Halbach] |
| 15200 | How could change consist of a conjunction of changeless facts? [McTaggart, by Le Poidevin] |
| 14761 | Change is not just having two different qualities at different points in some series [McTaggart] |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| 2608 | For McTaggart time is seen either as fixed, or as relative to events [McTaggart, by Ayer] |
| 22936 | A-series time positions are contradictory, and yet all events occupy all of them! [McTaggart, by Le Poidevin] |
| 4231 | Time involves change, only the A-series explains change, but it involves contradictions, so time is unreal [McTaggart, by Lowe] |
| 8591 | There could be no time if nothing changed [McTaggart] |
| 22935 | The B-series can be inferred from the A-series, but not the other way round [McTaggart, by Le Poidevin] |
| 7802 | A-series uses past, present and future; B-series uses 'before' and 'after' [McTaggart, by Girle] |
| 4230 | A-series expressions place things in time, and their truth varies; B-series is relative, and always true [McTaggart, by Lowe] |
| 15199 | The B-series must depend on the A-series, because change must be explained [McTaggart, by Le Poidevin] |