Combining Texts

All the ideas for 'The Intentional Fallacy', 'Truth Rehabilitated' and 'Spreading the Word'

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16 ideas

3. Truth / A. Truth Problems / 3. Value of Truth
Without truth, both language and thought are impossible [Davidson]
Plato's Forms confused truth with the most eminent truths, so only Truth itself is completely true [Davidson]
Truth can't be a goal, because we can neither recognise it nor confim it [Davidson]
3. Truth / C. Correspondence Truth / 1. Correspondence Truth
Correspondence can't be defined, but it shows how truth depends on the world [Davidson]
3. Truth / F. Semantic Truth / 1. Tarski's Truth / c. Meta-language for truth
When Tarski defines truth for different languages, how do we know it is a single concept? [Davidson]
3. Truth / H. Deflationary Truth / 2. Deflationary Truth
Disquotation only accounts for truth if the metalanguage contains the object language [Davidson]
7. Existence / D. Theories of Reality / 8. Facts / e. Facts rejected
If we try to identify facts precisely, they all melt into one (as the Slingshot Argument proves) [Davidson]
10. Modality / A. Necessity / 11. Denial of Necessity
Asserting a necessity just expresses our inability to imagine it is false [Blackburn]
19. Language / A. Nature of Meaning / 4. Meaning as Truth-Conditions
Knowing the potential truth conditions of a sentence is necessary and sufficient for understanding [Davidson]
19. Language / A. Nature of Meaning / 6. Meaning as Use
It could be that the use of a sentence is explained by its truth conditions [Davidson]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]