Combining Texts

All the ideas for 'Empiricism and the Philosophy of Mind', 'Art and Its Objects' and 'Finkish dispositions'

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21 ideas

8. Modes of Existence / B. Properties / 6. Categorical Properties
The distinction between dispositional and 'categorical' properties leads to confusion [Lewis]
8. Modes of Existence / C. Powers and Dispositions / 3. Powers as Derived
All dispositions must have causal bases [Lewis]
8. Modes of Existence / C. Powers and Dispositions / 6. Dispositions / c. Dispositions as conditional
A 'finkish' disposition is real, but disappears when the stimulus occurs [Lewis]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
10. Modality / B. Possibility / 9. Counterfactuals
Backtracking counterfactuals go from supposed events to their required causal antecedents [Lewis]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
17. Mind and Body / E. Mind as Physical / 7. Anti-Physicalism / a. Physicalism critique
The 'grain problem' says physical objects are granular, where sensations appear not to be [Sellars, by Polger]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
A love of nature must precede a love of art [Wollheim]
Interpretation is performance for some arts, and critical for all arts [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]