23 ideas
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
18969 | How do you distinguish three beliefs from four beliefs or two beliefs? [Quine] |
6455 | Maybe 'sense-data' just help us to talk about unusual perceptual situations [Lacey] |
6454 | Where do sense-data begin or end? Can they change? What sort of thing are they? [Lacey] |
6453 | Some claim sense-data are public, and are parts of objects [Lacey] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
18967 | A 'proposition' is said to be the timeless cognitive part of the meaning of a sentence [Quine] |
18968 | The problem with propositions is their individuation. When do two sentences express one proposition? [Quine] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
18970 | The concept of a 'point' makes no sense without the idea of absolute position [Quine] |