26 ideas
12221 | 'Corner quotes' (quasi-quotation) designate 'whatever these terms designate' [Quine] |
19321 | We might do without names, by converting them into predicates [Quine, by Kirkham] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
7440 | Secondary qualities are microscopic primary qualities of physical things [Armstrong] |
7437 | Consciousness and experience of qualities are not the same [Armstrong] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
7434 | Behaviourism is false, but mind is definable as the cause of behaviour [Armstrong] |
7436 | The manifestations of a disposition need never actually exist [Armstrong] |
7429 | Causal Functionalism says mental states are apt for producing behaviour [Armstrong] |
7438 | A causal theory of mentality would be improved by a teleological element [Armstrong] |
7431 | The identity of mental states with physical properties is contingent, because the laws of nature are contingent [Armstrong] |
7432 | One mental role might be filled by a variety of physical types [Armstrong] |
20343 | A love of nature must precede a love of art [Wollheim] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |