17 ideas
| 19115 | You can 'rebut' an argument's conclusion, or 'undercut' its premises [Antonelli] |
| 19119 | We infer that other objects are like some exceptional object, if they share some of its properties [Antonelli] |
| 19111 | Reasoning may be defeated by new premises, or by finding out more about the given ones [Antonelli] |
| 19114 | Should we accept Floating Conclusions, derived from two arguments in conflict? [Antonelli] |
| 19113 | Weakest Link Principle: prefer the argument whose weakest link is the stronger [Antonelli] |
| 19116 | Non-monotonic core: Reflexivity, Cut, Cautious Monotonicity, Left Logical Equivalence, Right Weakening [Antonelli] |
| 19117 | We can rank a formula by the level of surprise if it were to hold [Antonelli] |
| 19118 | People don't actually use classical logic, but may actually use non-monotonic logic [Antonelli] |
| 19110 | In classical logic the relation |= has Monotony built into its definition [Antonelli] |
| 19112 | Cautious Monotony ignores proved additions; Rational Monotony fails if the addition's negation is proved [Antonelli] |
| 14296 | Dispositions are physical states of mechanism; when known, these replace the old disposition term [Quine] |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |