46 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
7113 | Phenomenology assumes that all consciousness is of something [Sartre] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
14296 | Dispositions are physical states of mechanism; when known, these replace the old disposition term [Quine] |
7112 | The Cogito depends on a second-order experience, of being conscious of consciousness [Sartre] |
7114 | The consciousness that says 'I think' is not the consciousness that thinks [Sartre] |
7119 | Is the Cogito reporting an immediate experience of doubting, or the whole enterprise of doubting? [Sartre] |
7122 | We can never, even in principle, grasp other minds, because the Ego is self-conceiving [Sartre] |
7125 | A consciousness can conceive of no other consciousness than itself [Sartre] |
7108 | The eternal truth of 2+2=4 is what gives unity to the mind which regularly thinks it [Sartre] |
7111 | Consciousness exists as consciousness of itself [Sartre] |
22226 | Since we are a consciousness, Sartre entirely rejected the unconscious mind [Sartre, by Daigle] |
7107 | Intentionality defines, transcends and unites consciousness [Sartre] |
7109 | If you think of '2+2=4' as the content of thought, the self must be united transcendentally [Sartre] |
7106 | The Ego is not formally or materially part of consciousness, but is outside in the world [Sartre] |
7117 | How could two I's, the reflective and the reflected, communicate with each other? [Sartre] |
7123 | Knowing yourself requires an exterior viewpoint, which is necessarily false [Sartre] |
22225 | My ego is more intimate to me, but not more certain than other egos [Sartre] |
7124 | The Ego never appears except when we are not looking for it [Sartre] |
7116 | When we are unreflective (as when chasing a tram) there is no 'I' [Sartre] |
7120 | It is theoretically possible that the Ego consists entirely of false memories [Sartre] |
7110 | If the 'I' is transcendental, it unnecessarily splits consciousness in two [Sartre] |
7115 | Maybe it is the act of reflection that brings 'me' into existence [Sartre] |
7121 | The Ego only appears to reflection, so it is cut off from the World [Sartre] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |