Combining Texts

All the ideas for 'The Roots of Reference', 'Transcendence of the Ego' and 'The Philosophy of Art (2nd ed)'

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46 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
1. Philosophy / H. Continental Philosophy / 2. Phenomenology
Phenomenology assumes that all consciousness is of something [Sartre]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
8. Modes of Existence / C. Powers and Dispositions / 3. Powers as Derived
Dispositions are physical states of mechanism; when known, these replace the old disposition term [Quine]
11. Knowledge Aims / B. Certain Knowledge / 5. Cogito Critique
The Cogito depends on a second-order experience, of being conscious of consciousness [Sartre]
The consciousness that says 'I think' is not the consciousness that thinks [Sartre]
Is the Cogito reporting an immediate experience of doubting, or the whole enterprise of doubting? [Sartre]
15. Nature of Minds / A. Nature of Mind / 4. Other Minds / b. Scepticism of other minds
We can never, even in principle, grasp other minds, because the Ego is self-conceiving [Sartre]
A consciousness can conceive of no other consciousness than itself [Sartre]
15. Nature of Minds / A. Nature of Mind / 5. Unity of Mind
The eternal truth of 2+2=4 is what gives unity to the mind which regularly thinks it [Sartre]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / f. Higher-order thought
Consciousness exists as consciousness of itself [Sartre]
15. Nature of Minds / B. Features of Minds / 2. Unconscious Mind
Since we are a consciousness, Sartre entirely rejected the unconscious mind [Sartre, by Daigle]
15. Nature of Minds / B. Features of Minds / 4. Intentionality / a. Nature of intentionality
Intentionality defines, transcends and unites consciousness [Sartre]
16. Persons / B. Nature of the Self / 4. Presupposition of Self
If you think of '2+2=4' as the content of thought, the self must be united transcendentally [Sartre]
16. Persons / B. Nature of the Self / 6. Self as Higher Awareness
The Ego is not formally or materially part of consciousness, but is outside in the world [Sartre]
16. Persons / C. Self-Awareness / 2. Knowing the Self
How could two I's, the reflective and the reflected, communicate with each other? [Sartre]
Knowing yourself requires an exterior viewpoint, which is necessarily false [Sartre]
My ego is more intimate to me, but not more certain than other egos [Sartre]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
The Ego never appears except when we are not looking for it [Sartre]
When we are unreflective (as when chasing a tram) there is no 'I' [Sartre]
16. Persons / D. Continuity of the Self / 2. Mental Continuity / a. Memory is Self
It is theoretically possible that the Ego consists entirely of false memories [Sartre]
16. Persons / D. Continuity of the Self / 4. Split Consciousness
If the 'I' is transcendental, it unnecessarily splits consciousness in two [Sartre]
16. Persons / E. Rejecting the Self / 4. Denial of the Self
Maybe it is the act of reflection that brings 'me' into existence [Sartre]
The Ego only appears to reflection, so it is cut off from the World [Sartre]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]