42 ideas
| 9065 | S5 collapses iterated modalities (◊□P→□P, and ◊◊P→◊P) [Keefe/Smith] |
| 1630 | We can only see an alien language in terms of our own thought structures (e.g. physical/abstract) [Quine] |
| 9064 | Objects such as a cloud or Mount Everest seem to have fuzzy boundaries in nature [Keefe/Smith] |
| 9044 | If someone is borderline tall, no further information is likely to resolve the question [Keefe/Smith] |
| 9048 | The simplest approach, that vagueness is just ignorance, retains classical logic and semantics [Keefe/Smith] |
| 9055 | The epistemic view of vagueness must explain why we don't know the predicate boundary [Keefe/Smith] |
| 9049 | Supervaluationism keeps true-or-false where precision can be produced, but not otherwise [Keefe/Smith] |
| 9056 | Vague statements lack truth value if attempts to make them precise fail [Keefe/Smith] |
| 9058 | Some of the principles of classical logic still fail with supervaluationism [Keefe/Smith] |
| 9059 | The semantics of supervaluation (e.g. disjunction and quantification) is not classical [Keefe/Smith] |
| 9060 | Supervaluation misunderstands vagueness, treating it as a failure to make things precise [Keefe/Smith] |
| 9050 | A third truth-value at borderlines might be 'indeterminate', or a value somewhere between 0 and 1 [Keefe/Smith] |
| 9061 | People can't be placed in a precise order according to how 'nice' they are [Keefe/Smith] |
| 9062 | If truth-values for vagueness range from 0 to 1, there must be someone who is 'completely tall' [Keefe/Smith] |
| 9063 | How do we decide if my coat is red to degree 0.322 or 0.321? [Keefe/Smith] |
| 5747 | "No entity without identity" - our ontology must contain items with settled identity conditions [Quine, by Melia] |
| 7925 | There is no proper identity concept for properties, and it is hard to distinguish one from two [Quine] |
| 13387 | Our conceptual scheme becomes more powerful when we posit abstract objects [Quine] |
| 8277 | I prefer 'no object without identity' to Quine's 'no entity without identity' [Lowe on Quine] |
| 9045 | Vague predicates involve uncertain properties, uncertain objects, and paradoxes of gradual change [Keefe/Smith] |
| 9047 | Many vague predicates are multi-dimensional; 'big' involves height and volume; heaps include arrangement [Keefe/Smith] |
| 9053 | If there is a precise borderline area, that is not a case of vagueness [Keefe/Smith] |
| 1631 | You could know the complete behavioural conditions for a foreign language, and still not know their beliefs [Quine] |
| 1632 | Translation of our remote past or language could be as problematic as alien languages [Quine] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |