Combining Texts

All the ideas for 'Reference and Modality', 'The Passions of the Soul' and 'The Philosophy of Art (2nd ed)'

expand these ideas     |    start again     |     specify just one area for these texts


40 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
4. Formal Logic / D. Modal Logic ML / 1. Modal Logic
Maybe we can quantify modally if the objects are intensional, but it seems unlikely [Quine]
5. Theory of Logic / F. Referring in Logic / 1. Naming / b. Names as descriptive
Failure of substitutivity shows that a personal name is not purely referential [Quine]
5. Theory of Logic / G. Quantification / 1. Quantification
Quantifying into referentially opaque contexts often produces nonsense [Quine]
9. Objects / D. Essence of Objects / 15. Against Essentialism
Quantification into modal contexts requires objects to have an essence [Quine]
10. Modality / A. Necessity / 4. De re / De dicto modality
To be necessarily greater than 7 is not a trait of 7, but depends on how 7 is referred to [Quine]
10. Modality / A. Necessity / 11. Denial of Necessity
Whether 9 is necessarily greater than 7 depends on how '9' is described [Quine, by Fine,K]
Necessity only applies to objects if they are distinctively specified [Quine]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
We can't quantify in modal contexts, because the modality depends on descriptions, not objects [Quine, by Fine,K]
17. Mind and Body / A. Mind-Body Dualism / 2. Interactionism
The pineal gland links soul to body, and unites the two symmetrical sides of the body [Descartes, by PG]
18. Thought / A. Modes of Thought / 3. Emotions / c. Role of emotions
For Descartes passions are God-given preservers of the mind-body union [Descartes, by Taylor,C]
18. Thought / A. Modes of Thought / 3. Emotions / e. Basic emotions
Are there a few primary passions (say, joy, sadness and desire)? [Descartes, by Cottingham]
There are six primitive passions: wonder, love, hatred, desire, joy and sadness [Descartes, by Goldie]
20. Action / B. Preliminaries of Action / 2. Willed Action / b. Volitionism
Merely willing to walk leads to our walking [Descartes]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
22. Metaethics / B. Value / 2. Values / e. Death
We don't die because the soul departs; the soul departs because the organs cease functioning [Descartes]
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
Descartes makes strength of will the central virtue [Descartes, by Taylor,C]
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / e. Anti scientific essentialism
We can't say 'necessarily if x is in water then x dissolves' if we can't quantify modally [Quine]