47 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
6346 | The main epistemological theories are foundationalist, coherence, probabilistic and reliabilist [Pollock/Cruz] |
6351 | Most people now agree that our reasoning proceeds defeasibly, rather than deductively [Pollock/Cruz] |
6374 | To believe maximum truths, believe everything; to have infallible beliefs, believe nothing [Pollock/Cruz] |
6355 | Direct realism says justification is partly a function of pure perceptual states, not of beliefs [Pollock/Cruz] |
6359 | Phenomenalism offered conclusive perceptual knowledge, but conclusive reasons no longer seem essential [Pollock/Cruz] |
6366 | Perception causes beliefs in us, without inference or justification [Pollock/Cruz] |
6362 | Sense evidence is not beliefs, because they are about objective properties, not about appearances [Pollock/Cruz] |
6371 | Bayesian epistemology is Bayes' Theorem plus the 'simple rule' (believe P if it is probable) [Pollock/Cruz] |
6373 | Internalism says if anything external varies, the justifiability of the belief does not vary [Pollock/Cruz] |
6353 | People rarely have any basic beliefs, and never enough for good foundations [Pollock/Cruz] |
6361 | Foundationalism requires self-justification, not incorrigibility [Pollock/Cruz] |
6357 | Reason cannot be an ultimate foundation, because rational justification requires prior beliefs [Pollock/Cruz] |
6363 | Foundationalism is wrong, because either all beliefs are prima facie justified, or none are [Pollock/Cruz] |
6365 | Negative coherence theories do not require reasons, so have no regress problem [Pollock/Cruz] |
6354 | Coherence theories fail, because they can't accommodate perception as the basis of knowledge [Pollock/Cruz] |
6367 | Coherence theories isolate justification from the world [Pollock/Cruz] |
6370 | Externalism comes as 'probabilism' (probability of truth) and 'reliabilism' (probability of good cognitive process) [Pollock/Cruz] |
6358 | One belief may cause another, without being the basis for the second belief [Pollock/Cruz] |
6364 | We can't start our beliefs from scratch, because we wouldn't know where to start [Pollock/Cruz] |
6352 | Enumerative induction gives a universal judgement, while statistical induction gives a proportion [Pollock/Cruz] |
6372 | Since every tautology has a probability of 1, should we believe all tautologies? [Pollock/Cruz] |
6360 | Scientific confirmation is best viewed as inference to the best explanation [Pollock/Cruz] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
5845 | Niceratus learnt the whole of Homer by heart, as a guide to goodness [Xenophon] |