Combining Texts

All the ideas for '', 'Mereology' and 'The Sublime and the Good'

expand these ideas     |    start again     |     specify just one area for these texts


20 ideas

4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / a. Axioms for sets
Maybe set theory need not be well-founded [Varzi]
4. Formal Logic / G. Formal Mereology / 1. Mereology
Mereology need not be nominalist, though it is often taken to be so [Varzi]
Are there mereological atoms, and are all objects made of them? [Varzi]
There is something of which everything is part, but no null-thing which is part of everything [Varzi]
5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
If a sound conclusion comes from two errors that cancel out, the path of the argument must matter [Rumfitt]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
Standardly 'and' and 'but' are held to have the same sense by having the same truth table [Rumfitt]
The sense of a connective comes from primitively obvious rules of inference [Rumfitt]
9. Objects / C. Structure of Objects / 5. Composition of an Object
'Composition is identity' says multitudes are the reality, loosely composing single things [Varzi]
9. Objects / C. Structure of Objects / 8. Parts of Objects / a. Parts of objects
Parts may or may not be attached, demarcated, arbitrary, material, extended, spatial or temporal [Varzi]
If 'part' is reflexive, then identity is a limit case of parthood [Varzi]
'Part' stands for a reflexive, antisymmetric and transitive relation [Varzi]
The parthood relation will help to define at least seven basic predicates [Varzi]
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
Sameness of parts won't guarantee identity if their arrangement matters [Varzi]
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / b. Conceivable but impossible
Conceivability may indicate possibility, but literary fantasy does not [Varzi]
19. Language / F. Communication / 3. Denial
We learn 'not' along with affirmation, by learning to either affirm or deny a sentence [Rumfitt]
21. Aesthetics / B. Nature of Art / 1. Defining Art
We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Great art proves the absurdity of art for art's sake [Murdoch]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Because art is love, it improves us morally [Murdoch]
Art and morals are essentially the same, and are both identical with love [Murdoch]
22. Metaethics / B. Value / 2. Values / g. Love
Love is realising something other than oneself is real [Murdoch]