Combining Texts

All the ideas for '', 'Letters to Jourdain' and 'Artistic Value and Opportunistic Moralism'

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12 ideas

5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
If a sound conclusion comes from two errors that cancel out, the path of the argument must matter [Rumfitt]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
Standardly 'and' and 'but' are held to have the same sense by having the same truth table [Rumfitt]
The sense of a connective comes from primitively obvious rules of inference [Rumfitt]
5. Theory of Logic / F. Referring in Logic / 1. Naming / a. Names
In 'Etna is higher than Vesuvius' the whole of Etna, including all the lava, can't be the reference [Frege]
5. Theory of Logic / F. Referring in Logic / 1. Naming / b. Names as descriptive
Any object can have many different names, each with a distinct sense [Frege]
19. Language / A. Nature of Meaning / 7. Meaning Holism / a. Sentence meaning
We understand new propositions by constructing their sense from the words [Frege]
19. Language / B. Reference / 4. Descriptive Reference / a. Sense and reference
Senses can't be subjective, because propositions would be private, and disagreement impossible [Frege]
19. Language / F. Communication / 3. Denial
We learn 'not' along with affirmation, by learning to either affirm or deny a sentence [Rumfitt]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
The works we value most are in sympathy with our own moral views [John,E]
We should understand what is morally important in a story, without having to endorse it [John,E]
We value morality in art because that is what we care about - but it is a contingent fact [John,E]
A work can be morally and artistically excellent, despite rejecting moral truth [John,E]