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All the ideas for '', 'Externalism/Internalism' and 'Introductions to 'Aesthetics and the Phil of Art''

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16 ideas

5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
If a sound conclusion comes from two errors that cancel out, the path of the argument must matter [Rumfitt]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
Standardly 'and' and 'but' are held to have the same sense by having the same truth table [Rumfitt]
The sense of a connective comes from primitively obvious rules of inference [Rumfitt]
11. Knowledge Aims / A. Knowledge / 1. Knowledge
Maybe there is plain 'animal' knowledge, and clearly justified 'reflective' knowledge [Vahid]
13. Knowledge Criteria / A. Justification Problems / 1. Justification / a. Justification issues
Epistemic is normally marked out from moral or pragmatic justifications by its truth-goal [Vahid]
13. Knowledge Criteria / A. Justification Problems / 3. Internal or External / a. Pro-internalism
'Mentalist' internalism seems to miss the main point, if it might not involve an agent's access [Vahid]
Strong access internalism needs actual awareness; weak versions need possibility of access [Vahid]
Maybe we need access to our justification, and also to know why it justifies [Vahid]
13. Knowledge Criteria / A. Justification Problems / 3. Internal or External / b. Pro-externalism
Internalism in epistemology over-emphasises deliberation about beliefs [Vahid]
13. Knowledge Criteria / C. External Justification / 1. External Justification
Externalism may imply that identical mental states might go with different justifications [Vahid]
13. Knowledge Criteria / C. External Justification / 4. Tracking the Facts
With a counterfactual account of the causal theory, we get knowledge as tracking or sensitive to truth [Vahid]
13. Knowledge Criteria / C. External Justification / 10. Anti External Justification
Externalism makes the acquisition of knowledge too easy? [Vahid]
19. Language / F. Communication / 3. Denial
We learn 'not' along with affirmation, by learning to either affirm or deny a sentence [Rumfitt]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]