37 ideas
11211 | If a sound conclusion comes from two errors that cancel out, the path of the argument must matter [Rumfitt] |
11210 | Standardly 'and' and 'but' are held to have the same sense by having the same truth table [Rumfitt] |
11212 | The sense of a connective comes from primitively obvious rules of inference [Rumfitt] |
16185 | Causality indicates which properties are real [Cartwright,N] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
16182 | Two main types of explanation are by causes, or by citing a theoretical framework [Cartwright,N] |
16184 | An explanation is a model that fits a theory and predicts the phenomenological laws [Cartwright,N] |
16167 | Laws get the facts wrong, and explanation rests on improvements and qualifications of laws [Cartwright,N] |
16169 | Laws apply to separate domains, but real explanations apply to intersecting domains [Cartwright,N] |
16176 | Covering-law explanation lets us explain storms by falling barometers [Cartwright,N] |
16177 | I disagree with the covering-law view that there is a law to cover every single case [Cartwright,N] |
16180 | You can't explain one quail's behaviour by just saying that all quails do it [Cartwright,N] |
16171 | The covering law view assumes that each phenomenon has a 'right' explanation [Cartwright,N] |
16183 | In science, best explanations have regularly turned out to be false [Cartwright,N] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
11214 | We learn 'not' along with affirmation, by learning to either affirm or deny a sentence [Rumfitt] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
16175 | A cause won't increase the effect frequency if other causes keep interfering [Cartwright,N] |
6781 | There are fundamental explanatory laws (false!), and phenomenological laws (regularities) [Cartwright,N, by Bird] |
16166 | Laws of appearances are 'phenomenological'; laws of reality are 'theoretical' [Cartwright,N] |
16179 | Good organisation may not be true, and the truth may not organise very much [Cartwright,N] |
16170 | To get from facts to equations, we need a prepared descriptions suited to mathematics [Cartwright,N] |
16181 | Simple laws have quite different outcomes when they act in combinations [Cartwright,N] |
16178 | There are few laws for when one theory meets another [Cartwright,N] |