37 ideas
18543 | Do aesthetic reasons count as reasons, if they are rejectable without contradiction? [Scruton] |
18542 | Defining truth presupposes that there can be a true definition [Scruton] |
10482 | The logic of ZF is classical first-order predicate logic with identity [Boolos] |
10492 | A few axioms of set theory 'force themselves on us', but most of them don't [Boolos] |
10485 | Naïve sets are inconsistent: there is no set for things that do not belong to themselves [Boolos] |
10484 | The iterative conception says sets are formed at stages; some are 'earlier', and must be formed first [Boolos] |
10491 | Infinite natural numbers is as obvious as infinite sentences in English [Boolos] |
10483 | Mathematics and science do not require very high orders of infinity [Boolos] |
10490 | Mathematics isn't surprising, given that we experience many objects as abstract [Boolos] |
10488 | It is lunacy to think we only see ink-marks, and not word-types [Boolos] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
10487 | I am a fan of abstract objects, and confident of their existence [Boolos] |
10489 | We deal with abstract objects all the time: software, poems, mistakes, triangles.. [Boolos] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
18546 | The pleasure taken in beauty also aims at understanding and valuing [Scruton] |
18550 | Art gives us imaginary worlds which we can view impartially [Scruton] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
18544 | Maybe 'beauty' is too loaded, and we should talk of fittingness or harmony [Scruton] |
18553 | Beauty shows us what we should want in order to achieve human fulfilment [Scruton] |
18556 | Beauty is rationally founded, inviting meaning, comparison and self-reflection [Scruton] |
18548 | Natural beauty reassures us that the world is where we belong [Scruton] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
18551 | Croce says art makes inarticulate intuitions conscious; rival views say the audience is the main concern [Scruton] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
18541 | Beauty (unlike truth and goodness) is questionable as an ultimate value [Scruton] |
18554 | Prostitution is wrong because it hardens the soul, since soul and body are one [Scruton] |