| 2135 | Truth is closely related to proportion [Plato] |
| Full Idea: Truth is closely related to proportion. | |
| From: Plato (The Republic [c.374 BCE], 486d) |
| 2163 | Artists should be excluded from a law-abiding community, because they destroy the rational mind [Plato] |
| Full Idea: We are right to refuse admission to artists in any community which is going to respect convention, because he destroys the rational mind and feeds the irrational - it is like destroying good citizens by giving ruffians power. | |
| From: Plato (The Republic [c.374 BCE], 605b) |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 8116 | The will-less contemplation of art brings a liberation from selfhood [Schopenhauer, by Gardner] |
| Full Idea: For Schopenhauer, the point of art lies in the metaphysical liberation from selfhood that will-less aesthetic contemplation induces. | |
| From: report of Arthur Schopenhauer (The World as Will and Idea [1819]) by Sebastian Gardner - Aesthetics 3.6.3 | |
| A reaction: I've never understood why anyone (Buddhists included) would want 'liberation from selfhood'. Certainly art can make us forget ourselves in a more objective view of things, but science can do that too. |
| 4174 | Man is more beautiful than anything else, and the loftiest purpose of art is to reveal his nature [Schopenhauer] |
| Full Idea: Man is more beautiful than anything else, and the loftiest purpose of art is to reveal his nature. | |
| From: Arthur Schopenhauer (The World as Will and Idea [1819], III 41) | |
| A reaction: A bit of a shock, because it implies human vanity, but it fits the best works of art rather well. What else reveals humanity's beauty? Beautiful deeds must be recorded. |
| 7276 | All art is quite useless [Wilde] |
| Full Idea: All art is quite useless. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: Echoes Kant's thought that art is 'purposive without purpose'. Although I find Wilde's claims that morality has nothing to do with art to be naïve, I find this remark sympathetic. Art may play with moral feelings, but is unlikely to affect actions. |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| Full Idea: Art is not only a means to good states of mind, but, perhaps, the best and most potent that we possess; …there is no state of mind more excellent or more intense than the state of aesthetic contemplation. | |
| From: Clive Bell (Art [1913], II.III) | |
| A reaction: Why does intensity make it good? It is pretty intense being involved in a road accident, but that doesn't make it good. There are many states of mind we enjoy or value highly, but we need more than that to prove them objectively 'excellent'. |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| Full Idea: Those who have been thrilled by the pure aesthetic significance of a work of art …carry a state of excitement and exaltation making them more sensitive to all that is going forward about them. Thus they realise …the significance and possibility of life. | |
| From: Clive Bell (Art [1913], IV.III) | |
| A reaction: This seems like a bit of an afterthought, because he struggles to explain why his 'significant form' is so important. He shifts between it being an end - an intrinsic value - or a moral state, or now an increaser of life potential. |
| 20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
| Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge. | |
| From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4 | |
| A reaction: I might believe this of writing novels, but not much else. |
| 20436 | Art leads to mental health, and mental clarity [Beardsley,M, by Carroll,N] |
| Full Idea: Beardsley says aesthetic experience relieves tensions and quiet destructive emotions. It also aids us in sorting out the jumble in the flow of consciousness, by virtue of its tendencies toward heightened clarity and coherence. | |
| From: report of Monroe Beardsley (Aesthetics: problems in the philosophy of criticism [1958]) by Noël Carroll - Monroe Beardsley p.162-3 | |
| A reaction: I find this claim highly implausible. I like art, but I feel neither healthier nor clearer after experiencing it. |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| Full Idea: The work of the great artists shows up 'art-for-art's-sake' as a flimsy frivolous doctrine. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: She keeps referring to tragedy (as the greatest art), but it is hard to see how we learn love and morality from a great pot or a great abstract painting. Wilde makes the doctrine frivolous, but I think it contains a degree of truth. Music. |
| 7980 | In modern times, being useless is the essential aesthetic ingredient for an object [Baudrillard] |
| Full Idea: Since the nineteenth century it has been art's claim that it is useless...so it is enough to elevate any object to uselessness to turn it into a work of art...and obsolete useless objects automatically acquire an aesthetic aura. | |
| From: Jean Baudrillard (The Intelligence of Evil [2004], p.111) | |
| A reaction: Art is 'purposive without purpose' (Kant). An nice summary of the situation, and this seems to explain the role of Duchamp's famous urinal, up on the wall and rendered useless. The obvious rebellion, though, is Arts and Crafts. |