16816
|
In 'contrastive' explanation there is a fact and a foil - why that fact, rather than this foil?
[Lipton]
|
|
Full Idea:
In a 'contrastive' explanation what gets explained is not 'Why this?', but 'Why this rather than that?'. There is a fact and a foil, and one fact may have several foils. Why do leaves turn yellow in November rather than in January?
|
|
From:
Peter Lipton (Inference to the Best Explanation (2nd) [2004], 03 'Fact')
|
|
A reaction:
Lipton really likes this, and builds his story around it. Maybe, but it looks to me like an easier step towards a proper explanation. The foils are infinite. Why turn yellow rather than radioactive, insincere, divisible by three, or expensive?
|
16826
|
With too many causes, find a suitable 'foil' for contrast, and the field narrows right down
[Lipton]
|
|
Full Idea:
The class of possible causes is often too big, …but if we are lucky or clever enough to find or produce a contrast where fact and foil have similar histories, most potential explanations are immediately 'cancelled out', and we have a research programme.
|
|
From:
Peter Lipton (Inference to the Best Explanation (2nd) [2004], 05 'A case')
|
|
A reaction:
He has a nice example of a triumph in 19th century German epidemiology. Once you get a good hypothesis, you can set up comparisons, based on a possible fact and a good foil. Genius is spotting hypothesis and foil. Nice.
|
17308
|
Explaining 'Adam ate the apple' depends on emphasis, and thus implies a contrast
[Schaffer,J]
|
|
Full Idea:
Explaining why ADAM ate the apple is a different matter from explaining why he ATE the apple, and from why he ate THE APPLE. ...In my view the best explanations incorporate ....contrastive information.
|
|
From:
Jonathan Schaffer (Grounding, Transitivity and Contrastivity [2012], 4.3.1)
|
|
A reaction:
But why are the contrasts Eve, or throwing it, or a pear? It occurs to me that this is wrong! The contrast is with anything else which could have gone in subject, verb or object position. It is a matter of categories, not of contrasts.
|