| 7494 | Laughter is mad; of mirth, what doeth it? [Anon (Ecc)] |
| Full Idea: I said of laughter, It is mad: and of mirth, what doeth it? | |
| From: Anon (Ecc) (21: Book of Ecclesiastes [c.200 BCE], 02.02) | |
| A reaction: Not much of an argument, but an interesting support for the extreme anti-hedonistic puritanical view. Most people would praise laughter as an end in itself, so 'what doeth it?' seems to miss the point. |
| 8767 | Sorrow is better than laughter [Anon (Ecc)] |
| Full Idea: Sorrow is better than laughter: for by the sadness of the countenance the heart is made better. | |
| From: Anon (Ecc) (21: Book of Ecclesiastes [c.200 BCE], 07.03) | |
| A reaction: This writer fails to see the good in laughter. If he did, he would have a more balanced view, and we could take this opinion more seriously. Theatre audiences always seem keen to hunt out jokes where none are intended. |
| 6211 | Laughter is a sudden glory in realising the infirmity of others, or our own formerly [Hobbes] |
| Full Idea: The passion of laughter is nothing else but sudden glory arising from some sudden conception of some eminency in ourselves, by comparison with the infirmity of others, or with our own formerly. | |
| From: Thomas Hobbes (Human Nature [1640], Ch.IX.13) | |
| A reaction: Laughter tends to involve something unusual. We don't just burst out with a glory of vanity whenever we meet some inferiority in another person. |
| 12171 | Absurdity is incongruity between correct and false points of view [Schopenhauer] |
| Full Idea: The more correct the subsumption of objects from one point of view, and the greater and more glaring the incongruity from another point of view, the greater is the ludicrous effect which is produced by this contrast. | |
| From: Arthur Schopenhauer (The World as Will and Idea [1819], I 013), quoted by Roger Scruton - Laughter §5 | |
| A reaction: This accounts for ludicrous humour, but there seem to be plenty of other types. Exceptional stupidity is usually amusing without necessarily being incongruous. Though it is a departure from the sensible norm. |
| 22047 | Wherever there is painless contradiction there is also comedy [Kierkegaard] |
| Full Idea: Wherever there is contradiction, the comical is also present. ...The tragic is the suffering contradiction, the comical is the painless contradiction. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846], p.459), quoted by Terry Pinkard - German Philosophy 1760-1860 13 | |
| A reaction: He is not saying that this is the only source of comedy. I once heard an adult say that there is one thing that is always funny, and that is a fart. |
| 14833 | Comedy is a transition from fear to exuberance [Nietzsche] |
| Full Idea: The transition from momentary fear to short-lived exuberance is called the 'comic' | |
| From: Friedrich Nietzsche (Human, All Too Human [1878], 169) |
| 18303 | Reject wisdom that lacks laughter [Nietzsche] |
| Full Idea: Let that wisdom be false to us that brought no laughter with it! | |
| From: Friedrich Nietzsche (Thus Spake Zarathustra [1884], 3.12.23) |
| 12318 | The female body, when taken in its entirety, is the Phallus itself [Badiou] |
| Full Idea: The female body, when taken in its entirety, is the Phallus itself. | |
| From: Alain Badiou (Briefings on Existence [1998]) | |
| A reaction: Too good to pass over, too crazy to file sensibly, too creepy to have been filed under humour, my candidate for the weirdest remark I have ever read in a serious philosopher, but no doubt if you read Lacan etc for long enough it looks deeply wise. |
| 12169 | Since only men laugh, it seems to be an attribute of reason [Scruton] |
| Full Idea: Man is the only animal that laughs, so a starting point for all enquiries into laughter must be the hypothesis that it is an attribute of reason (though that gets us no further than our definition of reason). | |
| From: Roger Scruton (Laughter [1982], §1) | |
| A reaction: I would be inclined to say that both our capacity for reason and our capacity for laughter (and, indeed, our capacity for language) are a consequence of our evolved capacity for meta-thought. |
| 12170 | Amusement rests on superiority, or relief, or incongruity [Scruton] |
| Full Idea: There are three common accounts of amusement: superiority theories (Hobbes's 'sudden glory'), 'relief from restraint' (Freud on jokes), and 'incongruity' theories (Schopenhauer). | |
| From: Roger Scruton (Laughter [1982], §5) | |
| A reaction: All three contain some truth. But one need not feel superior to laugh, and one may already be in a state of unrestraint. Schopenhauer seems closest to a good general account. |
| 12172 | Objects of amusement do not have to be real [Scruton] |
| Full Idea: It is a matter of indifference whether the object of amusement be thought to be real. | |
| From: Roger Scruton (Laughter [1982], §7) | |
| A reaction: Sort of. If I say 'wouldn't it be funny if someone did x?', it is probably much less funny than if I say 'apparently he really did x'. The fantasy case has to be much funnier to evoke the laughter. |
| 12173 | The central object of amusement is the human [Scruton] |
| Full Idea: There are amusing buildings, but not amusing rocks and cliffs. If I were to propose a candidate for the formal object of amusement, then the human would be my choice, ...or at least emphasise its centrality. | |
| From: Roger Scruton (Laughter [1982], §9) | |
| A reaction: Sounds good. Animal behaviour only seems to amuse if it evokes something human. Plants would have to look a bit human to be funny. |
| 6847 | Humour can give a phenomenological account of existence, and point to change [Critchley] |
| Full Idea: Humour provides an oblique phenomenology of ordinary life; it is a way of describing the situation of our existence, and, at its best, it indicates how we might change that situation. | |
| From: Simon Critchley (Interview with Baggini and Stangroom [2001], p.198) | |
| A reaction: The trouble is that this leads us to relentlessly political standup comedians who aren't very funny. Critichley may have a problem with remarks which are very funny precisely because they are so politically incorrect. I sympathise, though. |
| 6848 | Humour is practically enacted philosophy [Critchley] |
| Full Idea: Humour, for me, is practically enacted philosophy. | |
| From: Simon Critchley (Interview with Baggini and Stangroom [2001], p.198) | |
| A reaction: This may be overstating it, as the funniest jokes may be the least philosophical, and remarks may be faintly amusing but very profound. Lear and his Fool make up a single worldview together. |
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |